Susan reading from REMEMBER ME TO XANADU at The Dora Maar House in Ménerbes, FRANCE

Books-in-Progress:

REMEMBER ME TO XANADU: A Novel of Love and Loss of Wall Street

NUDE UNTANGLING HER HAIR: Poems and Drawings

Essays:

Potentino Profumò: The Story of a Perfume and the Scent Walk that Inspired It. Concettina in English and Italian included with the perfume. 2022.

Sculpting Space in Laurel Canyon: On Rudolph Schindler and Jose Dávila.Sense of Place. Madrid: This Side Up, 2022.

Nude Untangling Her Hair: The Lyric Logic of the Drawing Studio.” Artist Talk at the College Art Association Annual Conference. Los Angeles, CA, 2018.

Duchamp’s Long Shadow: The Secret Meaning ofTu M’.” The Los Angeles Review of Books. April 17, 2017. n.p.

"Out in the Middle of Somewhere: On being an urban writer at an artist residency in Wyoming." Catapult. August 12, 2016, n.p.

“Redefining Travel, Re-experiencing Paris.” Rev. of City Secrets Paris: The Essential Insider’s Guide. Ed. Robert Kahn. The Los Angeles Review of Books. July 15, 2015. n.p.

"Literary Doubles: On Researching a Living Poet." The Clarendon Chronicle. October 2012. p. 5.

Selected Poetry:

"Artist & Model." The Tiny. no. 4 (September 2017): n.p. 

"Tune." Five Dials. Vol. 33 (Summer 2014): 7.

"Insomnia." The Paris Review. no. 200 (Spring 2012): 216.

Joining Music with Reason. Anthology. Ed. Sir Christopher Ricks. London: Waywiser, 2010. pp. 21-34. 

"O'Keeffe's Music--Pink and Blue." The Oxonian Review of Books

"There." Oxford Poetry. Vol. XIII. no. 1. (Fall 2009): 63-4.

Wine Writing:

"How I Fell in Love with Wine." Parisien Salon. May 2011. n.p.

Savvy Sippers. Wine Blog 2009-2012. [Selected articles archived at this link.]

Translations:

Hervé Tullet. Doodle Cook. Phaidon. 2011.

Peer-Reviewed Journal Articles:

“The Origins of the Prose Captions in H.D.’s Helen in Egypt.” The Review of English Studies. Vol. 63 no. 260 (June 2012): 466-490. [Shortlisted for The Review of English Studies Annual Essay Prize]

 “ ‘Spiritual Hyphen’:  bibliography and elegy in Susan Howe’s The Midnight.” Textual Practice. Vol. XXV no. 1 (February 2011): 133-55.

Art and Literature Reviews:

"Hands-On / Hands-Off." Rev. of The Art of Collaboration: Poets, Artists, Books.Eds. Anca Cristofovici & Barbara Montefalcone. Transatlantica: revue d’études américaines. no. 1 (2016): n.p.

“Nothing in the Grand Scheme of Things.” Rev. of A partir de rien: Esthetique, poetique et politique de l'infime, by Vincent Broqua. Transatlantica: revue d'études américaines. no. 2 (2013): n.p.